Ichie (Miki Nakatani) is the owner of a dressmaking shop. Her grandmother started the shop and now Ichie runs the business. Her clothes are made with an old sewing machine and are very popular. Following her grandmother’s will, Ichie only makes clothes for individuals and turns down offers to turn her clothing into a brand.

Now, we find the rowdy extraterrestrial getting used to life with his new ohana. However, a malfunction in the ultimate creation of Dr. Jumba soon emerges, which reinstates his destructive programming and threatens to both ruin his friendship with Lilo and to short him out for good!

The life of a professional hockey player was not always a glamorous one. For legendary goaltender Terry Sawchuk, each save means one more gash to his unmasked face and one more drink to numb the pain. Sawchuk traveled across the country racking up 103 shutouts and 400 stitches to his face, proving that this is a man who lives, breathes, and dies a goalie.

In the massive city of Tokyo, Kumiko, a twenty-nine year old, lives in utter solitude. She works a dreadful, dead-end job under an awful boss, is intimidated by her well-off peers, and nagged incessantly by her overbearing mother who is exasperated by the fact that her daughter is not married or even in a relationship. The only joys in her life come from a grainy VHS tape – an American film in which a man buries a satchel of money in the snowy Midwestern plains – and her beloved pet rabbit, Bunzo. Kumiko is somehow convinced that this treasure is real, and obsesses over its discovery. With a hand-stitched treasure map and a quixotic spirit, Kumiko embarks on an incredible journey over the Pacific and through the frozen Minnesota wilderness to uncover a purported fortune.

Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron’s laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre, and hilarious orgy of death and dismemberment.

An anthology film set in a brothel, Bordello Death Tales incorporates three shorts by young horror directors, linked by a sinister venue: Madame Raven’s bordello. The bloodletting begins in James Eaves’ The Ripper featuring a mild-mannered psychopath. The second story, Stitch Girl, is Al Ronald’s homage to Bride of Frankenstein. The final short is Pat Higgins’ Vice Day showing how a politician has developed a way of keeping his private life away from the prying eyes of journalists.